Texture and Form
The surface of the objects varies—it may be rough and matte, irregularly glossy, or softly reflective. Before firing, the artist sometimes polishes the surface with a small stone, enhancing its unique texture. The result is a collection of one-of-a-kind ceramic objects, balancing between sculpture and functional art.
Handcrafted Process
Each vessel is sculpted by hand using the coiling technique—one of the oldest ceramic methods, predating the invention of the potter’s wheel.
My objects are the opposite of mass production. Each vessel is an experiment. I use natural, local materials and traditional, small-scale production methodsMy ceramics are deeply connected to the place where they are made – a village in Silesia. I dig pits for firing and use locally available materials.
This handcrafted, local approach minimizes the environmental impact compared to industrial mass production.
Zero Waste
I use wood waste from production for firing. Although pit firing is a traditional method, it is energy-intensive. However, using wood as fuel instead of fossil energy aligns with more sustainable practices.